Door to Door

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I’ve taken up the habit of walking through the rows of church cabins in Gammelstads Kyrkstad (church town) during the weekends. The silence and void of people makes you flinch at sudden movements or sounds and it is easy to let your thoughts wander. When I walked around the other day I noticed something I hadn’t before. A repeating pattern of some sort, I realised that most doors wore a resemblance. Certain normative symbols appeared every other step; triangles, squares etc. So I started to make a small survey in my head, grouping them according to appearances. I also took some photos of them. Now I did not look at all doors nor did I pass all cabins so this is quite summarily but it still gave a result; I identified four groups of doors.

The most usual one is the one with triangle at the top and standing panel on the bottom(ca 20)

triangel

triangel3

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The second group is a more classic door with X numbers of panels(ca 15)

dorr_panel

 dorr

dorr-3

Then I found a couple of doors with a fish bone pattern(2)

 fiskben

fiskben2

And one with a rounded archway(1)

dorr_valvd

As you can see the frequency show that some are more common than others. The cabins in them self are often quite simple, the red painted panels are from the beginning of the 20th century, but the outer doors and the window frames are more elaborated.

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When one looks in between the cottages there are those who have a more old-fashioned appearance as well as some walls that have no panels.

sida

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There is a kind of beauty in those ruff edges and weather-beaten walls that has stood the test of time just as it is a bit ghost like as no one lives in them. They’re empty, silent, closed in by walls of snow and deserted ‘til the next church festival or festivity.

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Magnus Reuterdahl

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About Magnus Reuterdahl

I am an archaeologist/Osteologist from Sweden. My main intrest lays in north Euorpean archaeology in, preferbly the prehistory of the late iron age and the neolithic periods. I've also got a strong intrest for Chinese archaeology, especially the neolithc Yangshao culture. I also write about cultural heritage and cultural history. Mitt namn är Magnus Reuterdahl, jag är arkeolog och osteolog och arbetar företrädesvis i Sverige även om jag gjort ett par vändor till Kina. På den här bloggen skriver jag om mitt yrke, om fornlämningar, kulturarv och kulturhistoria m m. View all posts by Magnus Reuterdahl

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